In the modern Indian literature, a feminine body is rarely just a feminine body. When women move in the fictitious world of R.K Narayan, Ruskin Bond, Chetan Bhagat, Jumpa Lahiri, Aravind Adiga or TarunTejpal they are always more than characters rambling around a paraphernalia, justifying a narrative strategy or a theoretical need for narrative coherence. The present paper intends to analyse the body precisely from this perspective, having as reference a collection of erotic short stories published in India, in 2009, and entitled “The Electric Feather”. Throughout all the 13 short stories, when a feminine character reveals her body, in a rather shy and very often clumsy attempt of creating an erotic atmosphere, the reader intuitively discovers that nakedness is a statement, a metaphor or simply a craving need for freedom.
A reader with an exclusively European experience, not at all familiarized with India can perhaps never imagine how or up to which extend the removal of clothes can intricately be associated with the idea of freedom. Modern India, culturally torn apart by both Hindus and Muslim fundamentalisms, does not give too much space for women to explore or even openly express their needs, their desires, their necessity to step firmly inside the 21st century. Arguably enough, some might say that this desire itself is insufficiently fought for, insufficiently asserted, insufficiently assumed.… Citește mai mult Women Bodies in “Electric Feather”, a Collection of Contemporary Indian Erotic Short Stories